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    After the Surge of Mergers: TV Offers New Opportunities for Docmakers


    From 99%—The Occupy Wall Street Collaborative Film. Photo: Alex Franklin. artighet ov Sundance Film Festival

    Toward the end of 2012, the documentary community heard a number of major announcements coming out of the television space that raised hopes that the independent documentary would have more homes, beyond the august stalwarts HBO and PBS.

    In short order, CNN announced the launch of CNN Films; Participant Media acquired The Documentary kanal and Halogen TV, with the avsikt of creating a TV presence; Al Jazeera acquired Current TV, thereby gaining a valuable foothold in the US market; and KCET-TV, the Los Angeles-based public television station, made its first major move since avfärd from the PBS fold by merging with Link TV, the San Francisco-based satellite television network. In addition, Showtime launched Sho Close-Up this past March, a kust of profiles of controversial figures such as for

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    Please Like Me

    Australian comedy television series

    Please Like Me is an Australian comedy-drama television series created by and starring Josh Thomas. Thomas also serves as a writer for every episode. The series premiered on 28 February 2013 on ABC2 in Australia and is on occasion available on Netflix in certain regions. The show explores realistic issues with humorous tones; executive producer Todd Abbott had pitched the show as a drama rather than a sitcom. The show aired later on the United States network Pivot, which then helped to develop the show from its second season onwards. Four seasons of the show have been broadcast, and creator Thomas has stated that he has no plans to make any further episodes.[1] The show has attracted praise from critics and has garnered numerous nominations, winning a number of awards.

    Creation

    [edit]

    Please Like Me was chiefly written by Josh Thomas, who also played the main character, Josh. Most episodes were directed by Ma

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    How these producers are building a ‘Legacy’ with Lakers documentary and indie films

    Lacing together an in-depth look at the Lakers’ history took seven years, team owners’ participation, thousands of hours of video, NBA approvals — and producers willing to bankroll such an ambitious effort.

    “Legacy: The True Story of the LA Lakers” is the highest-profile project undertaken by film production and financing firm Los Angeles Media Fund and its principals, Jeffrey Soros and Simon Horsman.

    The project initially was envisioned as a 90-minute documentary about the team’s late owner Jerry Buss and Magic Johnson during the 1980s “Showtime” era. Lakers co-owner Jeanie Buss joined the film effort. But the turning point came three years later, in 2018, when Soros and Horsman signed on as producers and financiers, then turned to the accomplished Antoine Fuqua (“Training Day,” “What’s My Name: Mohammad Ali”) to direct the project.

    Instead of focusing solely on “Showtime” Lakers, Fuqua wanted t

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