Darko tomovic biography examples

Interview: Božidar Bobo Đurović, director

10April Sonja Ciric

Why they don't let me work for 12 years

"If you take away the director's ability to direct or any artist's ability to create, that person is largely only ostensibly alive. Day by day the feeling of lack of meaning increases. And the current government knows very well the unwritten rule: if you want to kill a man without bearing responsibility, convince him that he is useless."

Culture and the state

08April Sonja Ciric

Belgrade Philharmonic: State, wake up!

The artists of the Belgrade Philharmonic intend to draw the attention of the Ministry of Culture to the conditions in which they live and work with symbolic concerts every Monday. Apparently, the trend of neglecting culture is passed down from generation to generation, says Aleksandar Radulović, timpanist of this institution

Comment

08April Sonja Ciric

Šapić's Revenge Museum instead of the Museum of Yugoslavia

Aleksandar Šapić's plan to banis

•

Impulse Tracker Biography Book and other goodies

Yo bro, I am from India, which ironically has no Demoscene whatsoever. I am not a very local kind of person to begin with because I had a very international upbringing. But as I would like to know more and more about computer cyber culture scenes, I am fascinated by the computer culture in Europe especially. All this info about Yugoslavia can be found in the book Hacking Europe released in I can try to post the bibliography over here (can’t post any full links or material becos @deepblue will cancel it)

Excerpts from the book;

Chapter 5 Galaxy and the New Wave: Yugoslav Computer Culture in the s Bruno Jakić

1 Economist. . Yugoslavia. In The world in fi gures , – London: MacMillan. For an impression of daily life in Bosnia and Herzegovina, Croatia and Serbia –, see: Edin Veladžić, Goran Miloradović, et al. . Yugoslavia between East and West; Ordinary people in unordinary country . Online project EUROCLIO – HIP . Accessed 24 Nov

•

Ph.d.
drama by Branislav Nušić

PH.D. AT THE NATIONAL THEATRE STAGE
Ph.D. is one of those few Nušic’s comedies produced by the National Theatre of Belgrade only once – premiere was held on månad 17, However, this was not the first performance: the del av helhet had been already produced by some of our provincial theatres. Although rarely loyal to the author, critics held the theatre management responsible for such a situation. Josip Kolundžic, a director, received approval from the critics. It was noted that he “proved to be excellent in Nušic’s characterization” and that he managed to escape “to overload the performance with unnecessary details”, establishing his concept on situation comedy and on highlighting satirical elements in the play. But, the critics noted that the said could be applied only to the first part of the play; in the second part caricature and farce were dominant. Set and costume designers were not listed in the theatre bill. The roles were assigne