Till rabus biography channel

  • Rabus is the son of two artists.
  • Blending science, contemporary art and historical objects, the exhibition explores how our bodies are connected to the world in and around us.
  • This is the last weekend to see works by Kasper Bosmans, Martin Chramosta, Zuzanna Czebatul, Sina Oberhänsli, Marie-Eve Perez, Léopold Rabus, Juana Robles.
  • The Medical Museion joins forces with Kunsthal Charlottenborg to present this autumn’s major exhibition The World is in You. Blending science, contemporary art and historical objects, the exhibition explores how our bodies are connected to the world in and around us.

    What are we doing to the world? It is arguably the leading question of our time. Life in the Anthropocene means we are constantly confronted with how we affect and change the world around us. But this entanglement of bodies and world flows in both directions. Our environment also shapes our bodies and our lives, for good and for ill.

    We inhabit a network of connections that range from the microscopic to the planetary. Our cells detect the shift from day to night, setting our body clocks in line with the rotation of the planet. The things we eat, touch and put in ourselves affect the trillions of microbial companions living on and inside of us. The generations that came before us have left traces on our DNA. The grav

    Le Temps des Artistes

    Since the beginning of the pandemic, the world of culture has been in turmoil. Openings, closures, cancelled shows and exhibitions, postponed programmes : this is the situation that cultural professionals on all continents have been experiencing for the past year. The vast majority of them claim to have suffered a drop in income in in all areas : orders, sales, royalties, salaries, etc. The cancellation of events, whether they be exhibitions, fairs or shows, explains this loss. It is klar that the fiction of the artist who devotes all his time to his art, free of material contingencies, does not hold. Financial difficulties are frequent in the milieu and the precariousness of the sector is only reinforced.

    As the Covid pandemic hit the planet and left everyone at home, the MBAL, like many cultural structures, had to review its programming. To celebrate its reopening and to reconnect with the public, the museum decided to offer its spaces to artists of all di


     
    On December 11th, , the Velvet Underground played at a high school in New Jersey. It was the first show the Velvets played for money, and the debut of the Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker lineup. To say that not everyone enjoyed their performance would be an understatement, though some most certainly did. A subsequent negative review of the Velvets&#; set so ticked off a faction of fans, that they felt compelled to respond. 

    The Velvet Underground&#;s first paying gig was booked by their manager, Al Aronowitz. The show was to take place at Summit High School, 25 miles from the band&#;s home base in New York City. The Myddle Class, another group managed by Aronowitz, would headline. When original VU drummer, Angus MacLise, got wind of it, he promptly quit. MacLise didn&#;t want to be told when to show up and play, and was turned off by the fact they would receive money (75 bucks) for their performance. Suddenly, the Velvet Underground need

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