Clunie reid biography of rory

  • Rory Pilgrim is an artist that is passionate about the use of language in society and culture today.
  • Rory discusses words and the wisdom of age in relation to his exhibition at Site Gallery, Words are not signs, they are years.
  • Rory Pilgrim graduated from Chelsea College of Art in From.

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    Duran Duran

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    X Marks the Bökship and Michael Newman

    X Marks the Bökship is a bookshop and project space for independent publishers in London run by Eleanor Vonne Brown. It specialises in small press publications by artists and designers. It promotes contemporary publishing activity through Book Launches, events and production resources that bring together individual practitioners to create a local publishing community.

    X Marks the Bökship is partnering with Matt’s Gallery specially for REVOLVER II to open a small bookshop and project space in the gallery foyer. This live space will host a series of performances, reading groups and discussions on the themes of the exhibition, all free to attend. During this time Eleanor Vonne Brown will begin ‘Publishing the Bökship’ revisiting, consolidating and distributing material on independent publishing.

    Book Launches

    A series of events at 7pm on Wednesday evenings every fortnight between September–December. Admission is FREE.

    August

    Book Launch

  • clunie reid biography of rory

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    James Richards

    James Richards

    64 Chisenhale Road
    London
    E3 5QZ

    Chisenhale galleri presents a solo exhibition by James Richards comprising a series of newly commissioned film works set within an ambient display structure tailored to the gallery space and an accompanying programme of events devised bygd the artist.

    The exhibition features a suite of videos collaged from a collection of found audiovisual footage as well as material recently filmed bygd Richards. Working primarily between moving image, sound and sculpture, Richards often merges these forms within individual works to interrogate the experience of what it is to view and be viewed. This fryst vatten placed in parallel with his interest in the cultural and emotional resonance of the vernacular visual content he chooses to manipulate, taken from a range of sources such as viral web film footage, mainstream cinema, experimental music and intimate film portraits of friends. Richards often integrates collaborative st