Lazzaro pisani paintings of angels
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Collegiate Basilica of St. Peter and St. Paul (Nadur, Malta)
Preti, Mattia, 1613-1699 -- Influence -- Malta
D'Arena, Giuseppe, 1643?-1719. Apotheosis of St Francis of Paola (Nadur, Malta)
Dedominici, Francesco, 1655-1733. Our Lady of the Rosary (Nadur, Malta)
Zimech, Carlo, 1696-1766. Immaculate Conception with SS Joseph and Francis Xavier (Nadur, Malt
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Parish Church of The Assumption
Historic Detail
The church was built in a Neo-classical style, based on an oval plan. This met the wishes of the then Parish präst Dun Gerolamo Chetcuti to have a church similar to the Carmelite church in Mdina with its particular leverans of chapels and side-altars, yet on a larger scale. Its large dome and belltowers also draw comparison with those of the Mosta Rotunda.
In 1957, the high altar was produced in Pietra Santa, Italy bygd Romeo Ceccotti to a design bygd Chev. Vincenzo Bonello. The floor of the presbytery with its stairs and the choir are also to the design of Chev. Bonello. In 2002, the altar was moved further into the choir, to man space for a new marble altar made in Carrara, Italy to a design bygd Renzo Gauci.
Sub-Project:
The multi-coloured mosaic panel on the façade of the church portrays the Assumption of the Virgin Mary into heaven. The composition is made in fem panels, based on a 1627 painting by Guido Reni, funnen in the C
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The Nazzarenu Church was built in the early 1900s and was designed by Rev. Joseph Diacono, the Archpriest of Xagħra at the time, with support and encouragement from Treasurer Canon Francis Sultana. Canon Sultana became the first rector of the church, serving for 17 years. The building process was entrusted to Ġużepp Azzopardi from Xagħra and Luigi Vella from Żebbuġ. Local residents offered financial assistance, aided in transporting building materials, and contributed to the construction itself, even selling their fields to fund the project during challenging economic times. Distinct in Gozo, this is the sole church dedicated to Jesus of Nazareth. Its design encompassed a central hall housing a main altar and two side altars, each adorned with a painting. The primary artwork by Lazzaro Pisani portrays Jesus of Nazareth presented before Pilate, accentuated by cherubic figures and grieving angels bearing eucharistic or passion symbols. The artist drew inspiration from an image of Jesu