Elsa von freytag-loringhoven biography
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Elsa von Freytag-Loringhoven
| Born | July 12, () Swinemünde, Province of Pomerania, German Empire |
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| Died | December 15, () (aged&#;53) Paris, France |
| Web | Wikipedia |
Baroness Elsa von Freytag-Loringhoven (–) was a German avant-garde, Dadaist artist and poet who worked for several years in Greenwich Village, New York. She has been claimed as the originator of Fountain, usually ascribed to Marcel Duchamp.
Life and work[edit]
The Baroness Elsa von Freytag-Loringhoven was born Elsa Hildegard Plötz. Raised by a sensitive, religious mother and an abusive father in a bourgeois home, she ran away at the age of eighteen to live with her aunt in Berlin. She worked as a chorus girl, studied acting and art, and took various lovers. After her second husband abandoned her in Kentucky, she found her way to New York, where in she married the German aristocrat Baron Leopold von Freytag-Loringhoven. The baron was on an extended leave of absence from the German military. In he left the
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Elsa von Freytag-Loringhoven
German artist and poet ( –)
Elsa Baroness von Freytag-Loringhoven (née Else Hildegard Plötz; 12 July – 14 December ) was a German avant-garde visual artist and poet, who was active in Greenwich Village, New York, from to , where her radical self-displays came to embody a living Dada. She was considered one of the most controversial and radical women artists of the era.
Her provocative poetry was published posthumously in in Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven.[1]The New York Times praised the book as one of the notable art books of [2]
Early life
[edit]Elsa Plötz was born on 12 July ,[1]:&#;&#; in Swinemünde in Pomerania, Germany, to Adolf Plötz, a mason, and Ida Marie Kleist. Her relationship with her father was temperamental—she emphasized how controlling he was in the family, as well as how cruel, yet big-hearted he was.[3] In her art, she related the ways
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Summary of Baroness Elsa von Freytag-Loringhoven
Elsa von Freytag-Loringhoven, the Baroness as she was known, became a living legend in the bohemian enclave of New York City's Greenwich Village in the years before and after World War inom. A provocateur and essential catalyst for New York's burgeoning Dada movement, the Baroness obliterated the boundaries of conventional norms of womanhood and femininity and upended notions of what was considered art.
Along with the infamous French artist Marcel Duchamp, she pioneered the use of the readymade, and she stretched and manipulated the English language to create avant-garde poetry. Her penchant for cross-dressing and incorporating funnen objects into her wardrobe made going out in public a daily Dada performance. The Baroness was a radical proto-feminist who critiqued patriarchal norms but was largely overshadowed bygd her male colleagues. Her daringness was largely ascribed to hona eccentricity, and she became a footnote in the annals o